oscar昨天對我說我的偶像james elkins會來香港,
我唯有急急糾正其說法,elkins可不是我的偶像呀!
其作為藝術史家所關注的其中一些東西,我無疑覺得重要,如art historical writing,但其對於好些問題的關注,如關於藝評的小書,我覺得都反把握不著問題重心.
這或是由於,elkins於我,絕對是個經驗主義者.而我卻總喜歡徘徊在形而上中發夢.
p.s. 據oscar說hans belting也會來,而從其拋出end of art history論的形而上格來看,belting在我心目中較elkins高,就不用估都知吧.
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2 則留言:
借問聲因乜事嚟？有乜玩先？
我想問是你自己比較喜歡形而上式的藝術史討論, 還是你認為這種討論優勝於實證主義式的藝術史? 近代學院的發展給人的印象確是如此: 彷彿是本質性的高下. 我總認為藝術史研究與書寫也是種介入, 要針對具體情況決定什麼策略. 像目前的香港, 我們只有朱琦的一本香港美術史, 實證主義式的藝術史研究是不是應要先搞呢?
我一直不是Matthew Turner的粉絲, 部分原因是他引述的史料每有不很準確之處. 用這些東西引伸的觀點, 我感到很難完全信服
張貼留言